scenic designs

From Matt Nix ("Burn Notice"), comes THE GOOD GUYS, a new action comedy about what happens when an old-school cop and a modern-day detective expose the big picture of small crime. THE GOOD GUYS is produced by Fox Television Studios. Matt Nix and Mikkel Bondesen serve as executive producers. Tim Matheson will direct the pilot episode.

Kitchen Dog Theater Company (KDT) was founded in 1990 by five graduates of the MFA Theater Program at Southern Methodist University (SMU).

Undermain Theatre is a company of artists that performs experimental works in Texas, New York, and Europe; collaborates with playwrights; develops original and world premiere productions; supports a theater archive; publishes plays; and sustains a theater in Dallas' historical Deep Ellum.

Co-founded by Linda Marie Ford, Pam Myers-Morgan, and Suzy Blaylock, Echo Theatre began to evolve in the fall of 1997, became incorporated in the state of Texas in February, 1998, and received its non-profit status in April of that same year. Inspiration for Echo Theatre is taken from the nymph Echo of Greek mythology, who was doomed to forever repeat the words of others, but could not speak for herself. Here at Echo, women speak for themselves on stage. For years, theatre seasons at all levels of production have been programmed mainly with works by male playwrights. It is the mission of Echo Theatre to unearth the power of the female theatrical voice. It's not a matter of a woman being able to tell a story better than a man. It's simply that she can tell it differently, provide it with another texture, another insight, when she is empowered to speak in her own words.

reviewed by Mary L. Clark

review by Elaine Liner

review by David Novinski

reviewed by Lauren Smart

a review by Lawson Taitte

written by Jameshia Bankston for the Mercury

an interview with Akin Bubatunde pushing cast to new levels of performance.

a review of the Kitchen Dog Theater production by Lindsey Wilson

by Mary L. Clark

by Alexandra Bonifield

from Theater Jones

Review: The Black Monk at the Undermain Theatre By Jerome Weeks